Graphic design studio verona6/26/2023 In 1999 he opened Studio28 GinoCarollo, trying to create a qualified team to support the companies of the branch. In 2012 he received the Interior Innovation Award in Cologne for the product "Bookless" of Interlübke. Some of his products have been exhibited at the MoMA in New York. In the same years he won the Du Pont Prize in Cologne, the Young Design Prize in Milan and the Casaidea Prize in Rome. He took part to the Dirattan Exposition in Milan in 1993 and also the exposition "Progetti e Territori" at the Fair "Abitare il Tempo" in Verona in 1994. ![]() In 1990 he began his work in the industrial design sector, collaborating also as an art director with prestigious Italian and International companies in the area of furniture.Ĭommissioned by Assarredo, he planned the exhibition andimagery for the Italian Pavilion at the International Furniture Fair in Cologne in 19, as well as the Italian Pavilion at the Interieur Fair in Vienna in 1992. In 2008 he won the bronze medal award in the Seoul Design Olympiad with the "Dancing Water" pavilion project and his name was entered in Young Blood 08, the annual of Italian talents supported by the National Government. Afterwards he received the honorable mention "best 30 concept" for Colorsdesigner International Competition. In 2007 he established his own architectural firm, standing out for for the research and development of new languages in contemporary architecture, in the sign of environmental sustainability and technological innovation. In 2006 he continued collaborating with Massimiliano Fuksas Studio, in charge of the Armani Ginza Tower Flagship project in Tokyo and won the 1st Prize for the international competition of Shenzhen Bao'an Int. In 2004 he started cooperating with Matteo Thun & Partners in Milan and in 2006 with Massimiliano Fuksas, dealing with hotel and resort projects, such as Airport Stuttgart Mövenpick Hotel, NH Hotel in Milan, and led the 63rd Venice Film Festival set design. The large display table positioned close to the entrance is particularly striking and elegant with its all‐glass structure that is partially illuminated from within.Ī clever use of colour has been made: coffee and beige for the resin flooring, dove grey for the furniture and sections of the flooring and, finally, red – a flash of colour that defines some graphic details, as well as a most unusual chair that has been specially created for this project.Angelo Tomaiuolo graduated in Architecture with the highest honours at The University of Florence in 2001. A particularly impacting element is provided by the large brown wall which appears to be “boxed” inside a glass display cabinet and whose interior supplies the backdrop to the china cabinets and furniture elements composing the till area. The LEDs, whose vertical and horizontal light is used by Apostoli as a proper surface covering, run all along the main aisles of the store and its furnishings, transforming the latter into sources of indirect light.Īll furniture pieces have been custom‐made by the architect’s own design and are defined by an unusual combination of glass and pearly white lacquered wood. Important elements of emotional communication with the clientele are, for example, the back‐lit glass display cabinets, the RGB lighting of the false ceilings and the “honeycomb” display units in glass and metal. Rationality is implicit in the use of squared shapes executed in glass and metal creativity is mainly to be seen in three elliptic elements rising from the floor to model the false ceilings, thus contributing to separate the retail space into three distinct areas: menswear, ladies’ wear and young fashion. Here is the official description of the Eliseo store from the architects: “The concept underlying this project is based on a combination of creativity and rationality and evolves through a refined use of form, light and colour. However, Alberto Apostoli Studio came up with a design that is both appealing and brand oriented. ![]() When it comes to creating an Italian fashion store based on a company’s overall communication strategy, things can get tricky.
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